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Wednesday, September 24, 2014

The Universe is Unfathomable, Scientist Map 8000 Galaxies - Video



Posted: 24 Sep 2014 05:00 AM PDT



Billion and billion of stars, photo taken into black space by Hubble Telescope
Counting the stars in the universe  is like trying to count the number of sand grains on a beach, its not possible. Although estimates vary among different experts, the general consensus is that there are at least between 100 billion and 200 billion galaxies in our universe. Think about that for a moment, and now throw in billions of stars in each galaxy! (source) This number could very easily be in the trillions for all we know.

Take the Milky Way Galaxy for example, which measures to about 120,000 light years across (it would take light that many years to travel across the galaxy), and contains up to 400 billion stars. Again, that’s billions of galaxies that contain billions of stars. (source)

Saturday, September 20, 2014

From David -- UFOs full version





UFOs



Publicado a 29/04/2012


An UPHIGH Production looking at over an hour of NASA footage and just a fraction of the privately uploaded video evidence of Unidentified Flying Objects both in space and in our skies.

From David -- UFOs (short version)


UFOs

Short version

Publicado a 29/04/2012

An UPHIGH Production looking at over an hour of NASA footage and just a fraction of the privately uploaded video evidence of Unidentified Flying Objects both in space and in our skies.


From David -- Higher dimensional physics associated with UFOs by William C. Treurniet


SummaryQualitative analyses of UFO photographs taken over many years found that a toroidal pattern is often in the space near the UFO. Other features in the photographs suggest the pattern is associated with strong magnetic and gravitational fields. This visual pattern may be part of a higher dimensional construct analogous to a wormhole. We know that the torus is a three-dimensional projection of a four-dimensional cylinder known as a duocylinder. The UFO may be able to restructure space to create such a duocylinder. Since the device would permit instantaneous movement in three-dimensional space, it could be called a "duocylinder bridge". Such movement has been observed in many sightings of UFOs where the objects disappeared and instantly reappeared in other locations, apparently without traversing the intervening space. In one case, the instantaneous disappearance of a departing UFO was associated with a strong, slowly decaying, oscillating magnetic field emanating from above the tops of nearby trees (Maccabee, 1994). This suggests the deployment by the craft of a magnetic duocylinder bridge that takes time to disappear after use. As observed in one of the photographs, the magnetic field altered the refractory property of air where the duocylinder projects onto three-dimensional space. A sequence of events consistent with the creation of a duocylinder bridge was found in a video of the failed launch of a Russian rocket in May, 2014.

1. Introduction

For many years, people have taken photographs of unidentified flying objects (UFOs). These photos are an unexploited resource which may hold important information. Examination of a sufficiently large set of photos may find that many of them have one or more visual features in common. A property associated with multiple UFOs may tell us something about what they are, perhaps a natural phenomenon or a technology of some kind. Even if some photographs are of unidentified man-made objects, these need not overwhelm the identification of a real phenomenon.

It would be ideal if all available photographs were taken under similar conditions. This has obviously not happened since the UFOs seen in photos are superimposed on a variety of backgrounds. Since we have no control over the conditions present when the photos were taken, any analysis is limited to the photographs that happen to turn up. It is proposed that a feature appearing in a significant proportion of the photos may have some physical relationship with the UFO. The correlation would not be proof of association, but would be sufficient reason to propose and possibly test theories about the nature of the UFOs.

2. Observed optical effects in photographs

Subtle features in photographs of UFOs can be rendered more visible with the well-known procedure of image equalization. A suitable FREEDescription: http://cdncache-a.akamaihd.net/items/it/img/arrow-10x10.png equalization plugin is available from Mehdi which is compatible with Photoshop as well as with the freeware Irfanview program.

Photographs of UFOs from multiple online sources were analyzed as they became available. The photos were taken with older film cameras as well as with modern digital cameras. Over time, it became clear that a significant number of the UFOs were accompanied by one or more toroidal or donut-shaped visual patterns nearby. In almost all cases where the patterns appeared, the UFO was positioned on the ring of the donut or just outside it. Since the torus is a three-dimensional object, it was often seen as elliptical in shape when it was not parallel to the frontal plane.

The photographs were all taken in the "wild" where the photographer had minimal control over the setting, so it is not surprising that the tori in some photos are clearer than in others. A selection of images is presented in the following figures. The left panel in each figure shows the UFO cropped from the original image, the centre panel shows the enhanced version, and the right panel shows an added graphical overlay to mark the location of the torus. The dates of theses photographs range from 1952 to 2013.

The usual focus of interest in Figure 1 has likely been the four large objects in the lower left quadrant of the image. However, there is also a small, relatively bright UFO near the upper right corner. The enhanced image shows that this object falls on a toroidal pattern in the air beside it.

 
Figure 1. UFOs from Project Blue BOOKDescription: http://cdncache-a.akamaihd.net/items/it/img/arrow-10x10.png Case No. 1501, Salem, 1952

In Figure 2, a small torus is positioned just beneath the UFO.


 
Figure 2. UFO photographed by Paul VILLADescription: http://cdncache-a.akamaihd.net/items/it/img/arrow-10x10.pngPeralta, NM, 1963

Friday, September 19, 2014

The Construct



From David 


Where the Birds Go to Die

9233




At first glance, there doesn’t seem to be anything particularly mysterious or significant about the village of Jatinga, India. Indeed the locale is beautiful, with lush forests and scenic mountain views, and Jatinga itself is a fairly small, rural town of about 2,500 people that is for the most part just the same as any other village in the area. Yet once a year, this rural hamlet becomes the setting of a bizarre mass death of birds that has for the most part gone largely unexplained.


The phenomenon occurs every year just after monsoon season in the months of September and October. During this time, just after sunset and typically on dark, moonless nights between the hours of 6:30 and 10 o’clock, flocks of birds representing numerous different species mysteriously congregate here in large numbers and plummet to their deaths. The birds circle spasmodically and violently crash into the ground, trees, and buildings, littering the ground with hundreds of smashed, broken bodies in a frenzy of flapping wings and death. Some of the dazed birds who survive crashing will get back up and promptly dash themselves against something again. Mostly the birds seem to fixate and hone in on light sources, such as house lights and torches, before crashing to their doom. 

The Lost Forest World of the World’s Largest Cave

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The Lost Forest World of the World’s Largest Cave

In this technologically advanced age of Google Earth and ever expanding exploration of our planet, there are fewer and fewer places that remain hidden from the gaze of humankind. We are exploring the forests, mountains, and seas of the world at an ever growing pace, and the ancient places that once lied in pristine remoteness beyond our grasp are being uncovered for all to see. But what of under our feet? What of the lost realms of the deep places of the world? In the case on one massive cave in Vietnam, a lost, prehistoric world sat hidden for millions of years deep under the forest floor until pure happenstance started our first steps into a place that time forgot.
In 1991, a local farmer by the name of Ho Khanh was walking along a stretch of lush forest within the heart of the Phong Nha Ke Bang National Park in Quang Binh province, near the border between Laos and Vietnam. It was an area that he had passed many times before and he was not paying any particular attention to his surroundings when suddenly the jungle floor opened up beneath him and Mr. Khanh only barely managed to hold on as the ground crumbled beneath him. When he was able to get his bearings, he peered into the gaping chasm that had suddenly appeared out of the thick foliage and saw that there was now a steep drop where he had stood that descended down into darkness. By pure chance and blind luck, this man had discovered an entrance that had remained hidden from man for millions of years into what would turn out to be the largest cave in the world, a behemoth five times larger than the largest known cave at the time.
World's largest cave.
World’s largest cave.
For years the entrance remained unexplored. Locals were afraid to go near it, partly because of the dauntingly steep drop, and partly because of the strange roaring sounds that bellowed out from its depths, later found to be caused by a raging river far below. In addition, there was an eerie mist that seeped out of the cave, a phenomenon caused by the cooler air below meeting the hot jungle air above, which gave the area a surreal, unearthly atmosphere. All of these things conspired to deter the superstitious locals from entering, and so the cave mouth remained unexplored and untouched, just as it had been for countless millennia.
It was not until 2009 that members of the British Cave Research Association undertook an expedition to penetrate into the mysterious jungle cavern and explore the darkness below. By that time the man who originally had found it no longer even remembered exactly where it was, so the team had to ascertain its position from what he could recall and from other locals, who still feared it. It was to be the beginning of a breathtaking journey into an ancient, forgotten realm that no human being had ever set foot in.

esoteric



SUBTITLES IN ENGLISH, ESPAÑOL, PORTUGUÊS

Click upon the circle after the small square for captions

MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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