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Wednesday, June 2, 2010

June 2 - The Orion Key: Unlocking the Mystery of Giza‏

Dear Friends,

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Be Well.

David

The Orion Key: Unlocking the Mystery of Giza
By Scott Creighton

Scott Creighton

Upsetting the Apple Cart

It has long been the view of mainstream Egyptologists that the siting of each of the main pyramid structures at Giza was determined purely upon the wishes of the Pharaoh and the practicalities and logistics of a particular site. It is further held that the King’s decision for the siting of his pyramid gave little or no consideration to structures that had gone before or would come after. Each pyramid at Giza - so the conventional view asserts - was effectively constructed as a discreet Royal Funerary complex by each successive Pharaoh and was done so without reference to any pre-defined, master site plan. In short we are told that the pyramids at Giza were constructed as ‘singularities’ and that there existed no grand architectural scheme; no grand plan.
This conventional view of the pyramids at Giza runs contrary to the work of Robert Bauval who, in 1994 – in partnership with Adrian Gilbert - published his first book, The Orion Mystery, which presented the radical hypothesis that the pyramids at Giza were constructed as symbolic representations of the three belt stars of the constellation of Orion. By advocating such a hypothesis, Bauval was invoking the almost heretical notion that each of the pyramids at Giza was constructed as component parts of a pre-defined, long-term project; a multi-generational master plan that involved the belt stars of the constellation of Orion.


It is unsurprising that in making such a bold hypothesis, Bauval quickly incurred the wrath of the academic establisment. With a few notable exceptions, Egyptologists remained largely unconvinced by Bauval’s proposal, dismissing much of the cultural evidence he presented from the Ancient Egyptian writings known as the Pyramid Texts which provided considerable textual support to his work. The Egyptologists demanded that Bauval present conclusive evidence in support of his Orion hypothesis before they would even remotely consider over-turning a century and more of Egyptological consensus that staunchly regarded the Giza pyramids as three discreet Royal Funerary complexes constructed entirely independently of each other and on the whim of the particular Pharaoh in whose name the structure was apparently built.


Robert Bauval, however, remains steadfast in his view. Almost 15 years after first publishing The Orion Mystery, I met with Bauval in the shadow of the Great Pyramid and asked him his opinion concerning a very obvious anomaly at Giza. “If Khufu was the first Pharaoh of the Fourth Dynasty to build at Giza,” I put to him, “why then didn’t Khufu construct his Great Pyramid on the prestigious, high ground in the center of the plateau?”
Bauval turned to me and with his characteristic enigmatic smile, replied. “Because, Scott - there was a plan.”
Creighton (left) and Bauval at the  Great Pyramid
Creighton (left) and Bauval at the Great Pyramid


In Keeper of Genesis/Message of the Sphinx (Bauval/Hancock, 1997), the authors show how this ‘grand plan’ may also have included the Great Sphinx at Giza which they hypothesize might have been designed as a reflection of the lion constellation of Leo in the eastern sky circa 10,500BCE. It seems that the designers of the Great Sphinx may have used the constellation of Leo as the underlying template for the design of this most recondite of all Giza structures. On this basis, might it not then be possible that the designers may have used the belt stars of Orion not simply to lay the pyramids on the ground in a near identical pattern to the belt stars, but to use the belt stars also as the underlying template from which to generate the actual dimensions – the base shape - of all three main Giza pyramids?


It hardly needs to be stated but if it can be demonstrated that the Orion belt stars can be used in a simple and consistent manner to generate three bases whose dimensions proportionally match those of the three main Giza pyramids then this would provide strong circumstantial evidence in support of Bauval’s Orion hypothesis.


But can this be done? Is it possible that the three belt stars of Orion can – when applying a very simple geometrical technique – be used to produce three bases that perfectly match the bases of the three great pyramids at Giza? Shortly we will investigate this idea but for the moment let us now consider some further ‘anomalies’ that exist at Giza for which there exists no convincing conventional answer.
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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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