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Sunday, August 8, 2010

Agost 8 - The 2010 Crop Circle Season‏

Dear Friends,

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Be Well.


The 2010 Crop Circle Season
Red Collie

"What is a book without pictures?" saidAlice.

Thevast majority of humans living on Earth today probably do not believe thatmodern crop circles are any more than what the multinational media tells them:just pranks made by two old geezers from the pub, late at night like SantaClaus, all across southern England while no one is watching (see video here).

Other people believe that crop pictures may be no more than field art,planked out by groups such as the Circlemakers (here),to help companies sell their commercial goods. For example, there was anadvertisement shown all across north America recently for Pringle's potatochips, where a group of healthy young people dance out into some farmer'sfield, in order to make a "potato chip" crop picture using rope and boards (here).

In addition to the Pringle potato chip company, who else keeps telling us thatmodern crop pictures are human-made? We have Wikipedia (here), the BBC (here), the Guardian (here), National Geographic (here), or the Discovery Channel (here).

Yet public opinion on this controversial issue may be changing rapidly! Forexample during the week of July 23, 2010, Yahoo News showed a disinformationalmovie about crop circles that immediately generated 2300, mostly vitriolic,reader responses (here).

The current situation appears to be as follows: a great many "authorities" onEarth have been telling people for over twenty years from 1990 to 2010, that nothingstrange or mysterious is happening each summer in the fields ofsouthern England, or elsewhere across Europe. Yet a small but ever-growingproportion of people have begun to rebel. They are defying peer pressure andgroup opinion, as if to say: "Yes,something strange is indeed happening there, and you are refusing to tell usthe truth about it, Why is that? Are some of the people in power on Earthtoday, afraid of what might happen if everyone learned the truth?"

If the viewers of this article would like to read an independent assessmentof crop circles, current to the end of 2008, please see "What Do Modern CropPictures Mean?" by Harold Stryderight and Charles Reed. Those are two of my various pseudonyms. As a professional scientist with aPh.D. from Caltech, and having worked in research for 35 years at places suchas UCLA, MRC Laboratory of Molecular Biology Cambridge, or the nationalAustralian science laboratory, I find that I need to protect myself from asmall proportion of people who follow crop pictures, but do not adhere to theusual rules of human social conduct.

Daniel Pinchbeck and his famous book "2012:the Return of Quetzalcoatl" are certainly mentioned in that long review,because: (a) the entire crop circle phenomenon often seems to be focused on ayear 2012; and (b) symbols for Quetzalcoatl sometimes appear in crops, mostspectacularly perhaps on July 5, 2009 near Silbury Hill (here).

So begins my progress report on new crop pictureswhich have appeared during the summer of 2010. It has certainly been a seasonof socialturmoil, among the small band of dedicated individuals who research ortake photographs of crop pictures. But more on that later.

The 2010 season began spectacularly at Wilton Windmill in southern England onMay 22 with a crop picture made in yellow oilseed rape, which is a plant withthick celery-like stems that is almost impossible to bend smoothly (rather thanbreak) with rope and boards. Nevertheless, many plant stems in that remarkablecrop picture were found to be bent smoothly, something like an iron barsubjected to high temperatures, then re-cooled into another shape (here). What did the new crop picture at Wilton Windmill tell us?

It showed a famous mathematical formula known as "Euler's Identity", using abinary form of computer ASCII code (here). Even British newspapers could not ignore this (here). Then a few weeks later on June 13 at Poirino in Italy (here), we saw the image of a six-month lunar calendar, in which all of the small "stars"coded for another famous equation "E = mc2", this time using a decimal form ofASCII:

Eight days after that on June 21 at Pewsey in southern England, we saw acleverly coded version of the "golden ratio phi to ten digits", or 1.61803399(here).

Whatever anyone chooses to believe about this controversial subject, it wouldhave to be said that the "crop artists" (whomever they might be) are greatmathematicians, and also great graphic designers!

Then in July of 2010 we saw three "cubic" crop pictures at Danebury Hill (here), Cley Hill (here), or Fosbury (here).

The Danebury crop picture showed a clever version of "Metatron's Cube",which is a famous shape in what is called "sacred geometry":

Cley Hill showed us another cubic art motif, which was made famous by Leonardoda Vinci:

Fosbury showed us a third cubic art motif, which was made famous by Archimedes:

Let us see now: Metatron, Leonardo da Vinci, or Archimedes, None of those "cubic"crop pictures look alien to me! Could the skeptics be right? Could all threehave been made by local human fakers with rope and boards? Or might there besomething wrong with our intellectual presumptions regarding this subject?

All three of those "cubic" crop pictures showed spectacular, highly elaboratefield details, or what most researchers call the "lay of fallen crop." Thusfrom a purely technical point of view, they would have been hard to fake. Wehave a known fake from 2010 with which to compare, that was made with rope andboards in East Field on July 29-30, 2010 (here). It shows considerably less field detail than any of those three "cubic" croppictures, while close-up photographs taken on the ground reveal a stomped-outmess (here).

Still, one cannot really be sure whether any or all of those "cubic" croppictures might be paranormally authentic. That issue has driven a small (butvocal) minority of crop circle researchers into social turmoil this year. Someof them have argued (without any evidence) that all crop pictures from2010 have been human-made fakes, and that there exists a huge "secretconspiracy" among mainstream crop circle researchers, who have been studyingthe subject since 1990, to commission large teams of workers to go out into thefields at night, in order to make fake crop pictures that can later be shown oncalendars or jewelry, simply for the purposes of making money!

No doubt a little of this goes on. Yet one can only note here that thelong-term researchers in question (who sell calendars or jewelry) are relativelypoor by normal human standards, and would hardly have enough funds topay for such large-scale efforts! And those crop pictures which are known to be"fake" usually seem quite obvious, and hence are not visited or regarded wellby serious researchers, only by tourists. Finally, the intellectual content ofmodern crop pictures can sometimes be quite high, as shown above for Euler'sIdentity, E = mc2 or the golden ratio. "Are we really talkingabout the same people here, who would not have received an education in highermathematics?"

Now in order to close this progress report, let us delve into the heart of thesubject. Three crop pictures at Woolaston Grange on July 18, Beggar's Knoll onJuly 27, or Windmill Hill on July 27, seemed to show the first and secondstages of a "proton-proton nuclear fusion reaction" which powers our Sun, or isused in man-made hydrogen bombs (here):

Are they advising us to develop new methods for energy generation, or mightthey be warning us about an upcoming nuclear war? There is little doubt in mymind that the real "paranormal crop artists" can somehow predict the future:see for example the first two slides here, which show how several crop pictures from 2007 anticipated the BP oil spillin 2010.

Finally, just a few days ago on July 30, 2010 at Wickham Green in Berkshire, wesaw two circular crop pictures which showed apparently the "face of Jesus" asit appears on the Turin Shroud, along with a complex, unsolved message inbinary code for everyone on Earth (here):

Does anyone seriously believe that those two highly-elaborate crop pictureswere locally human-made? And what might their underlying binary code have totell us?

This summary diagram was prepared by CMM Research on August 8, 2010, based on original work done by George Costanza and Marius Zemaitis on the ‘Circle Chasers’ Facebook website.

In summary, the 2010 crop circle season has been an exciting time (so far). Ithas included many new crop pictures of a mathematical or geometrical nature,along with several other pictures which show nuclear fusion from subatomicphysics, plus a recent pair of pictures which purports to show a "message fromabove" that is intended for everyone on Earth, if we can figure out what itmeans.

Where do modern crop pictures come from, if they are not made by local human fakerswith rope and boards? There is no current consensus on this point, nor have thecrop artists clearly revealed their identities in their pictures (except maybeon July 30). Some people believe that they are being made by extra-terrestrialvisitors to Earth, while other people believe that they may come from someother spacetime dimension, whether physical or spiritual, which overlaps withour own.

One thing seems certain however: our current way of thinking about "consensusNewtonian reality" must be fundamentally in error, in order for those beautifulfield pictures to keep appearing year after year in diverse places, almost asif by magic, never showing any mistakes, never being found half-finished, andtheir perpetrators almost never being caught, despite intense surveillance ofthe fields in England where they most commonly appear.

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How to Digitally Record/Video a UFO sighting:

Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:

Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.



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