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Tuesday, January 21, 2014

Unidentified Atmospheric Phenomenon As Projected Global Concioussness

Unidentified Atmospheric Phenomenon As Projected Global Concioussness



We appear to have shape shifting plasma like orbs encircling our planet in an odd form of wave activity through the night skies while here on solid ground we have the same phenomenon apparently flitting through walls, doors, etc..a state of perhaps consciousness in a unique form of matter  that bridges the gap between local and non local manifestations. Are they one and the same?


"By applying Ockham's razor to the basic epistemological question 'What is reality?' the Buddhist idealists reach the conclusion that belief in an external reality is a 'superfluous hypothesis'" ~ Philip K Dick, in the introduction to "The Golden Man"


"There are no conditions to fulfill. There is nothing to be done, nothing to be given up.
Just look and remember, whatever you perceive is not you, nor yours. It is there in the field of consciousness, but you are not the field and its contents, nor even the knower of the field.
~ Nisargadatta Maharaj



The old school of thought regarding this phenomenon as the representation of actual craft with physicality remains persistently lodged in the minds of those enamored of scientific materialism and on a parallel path there is a growing body of evidence that in terms of our own species, the projection of consciousness on a non local basis is steadily being verified by experimentation on several fronts.   In addition to this there are some multi-disciplinary schools of thought that have seriously considered the physical brain to be a transceiving organism for the non local basis of sentience itself.




Then there is the matter if UAP is the result of projected non local consciousness, to whom does it belong?
Or is this asking the wrong question in framing it as the implication of ownership may be a result of our projecting our own critical assumptions regarding what appears to be our own situation simply at it's face value?  Then there is the matter of the state of matter we term consciousness in relation to the alteration of it's state on a planetary basis through physical death which occurs at a rate of 56 million per year, 153, 000 per 24 hours or 1.78 per second. Where does this energy transfer and in what state if consciousness, if it is considered a state of matter? 



 If that is so, what of the analysis of results from the Global Consciousness Project? If you are not familiar with Princeton University's program, you cannot understand it's relationship to the subject at hand.




Do these results suggest that a energy field of an unknown nature that represents consciousness in a both local and non local form , a third state that exhibits the ability of self organisation to produce unidentified atmospheric phenomenon? If this energy field exists, it is most certainly being fed at a rate of 56 million formerly individuated fields being released that as an aggregate, perhaps in direct relationship to conscious matter being  entangled in physicality among the living there may be a relationship between the two, as to allow this same matter in a third state to reflect, project anticipations (UAP) that are forever changing in terms of consensus projections in the energetic medium of the atmosphere. Think of it as a medium of transaction wherein two states of conscious matter create a third state that falls into line with what is observed.....a projected state of organised matter that neither has physicality as we define it nor is it stable.



The coherence of local consciousness to non local consciousness in it's two states would be required, and the same sum of coherence would be required as input as an imaging state of organisation would naturally be available if concentrated as a forced field superimposing itself on a global field creating coherent projections that are shared.



There is no purpose other than a state of affairs and the medium itself is the message.



Waves of activity as noted in the Princeton Project may well have a parallel in UAP wave forms in that the total sum of input as a consensus projection may need to reach a certain level of attenuation wherein it is sent as a imaging form of cellular consciousness in a context of feedback, a proverbial bridge of interaction.



Perhaps, perhaps not...


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How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

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ESOTERIC



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