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Saturday, December 19, 2009

Dec. 19 - Stairway to Sirius

Dear Friends,

Paste the link if you don't receive the images/can't access the links.

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Be Well.

David

Stairway to Sirius, Revisited: Conclusion


There is nothing hidden that will not be revealed.
There is nothing kept secret that will not come to light. - Luke 8:17



This whole semiotic/synchronistic adventure started in Norway, with a strange aerial display and a host of symbolic aftershocks in its wake. It should be no surprise then that on the 17th we found ourselves in the ancient waters of Egypt, lifting up a stone pillar from the Gate of the Gods. The symbolism is so potent, it almost seems surreal.

Some of you might have been confused about the Sirius themes we've been covering this past week, and I admit that the initial connections of the Dog star to the Norway event were more a matter of intuition than anything else. The subconscious is always making connections the conscious mind is oblivious to.

But there was a whiff of the ritual theatrics we saw around the 2008 election with the Nobel charade, and the presence of Will Smith turned out to be a synchronistic bridge between the symbolism we saw in I Am Legend and Hancock, both of which planted subconscious 'Superman' memes that bolstered Barackobamun during the campaign (and which Obama was certainly not shy about playing into himself).

But here we are - Isis-Sirius in the news on the 17th- exactly a week after Obama's Nobel speech. 17 is a number I've been talking about since the earliest days of this blog (and I still have no clue what the real meaning behind it is), but has certainly become more and more prevalent in the news in the past year.

We've also been talking about the strange symbolic conjunctions on the Yahoo! front page for quite a while now, and sure enough we the gateway of Sirius and yet another fluff story about a dog. Moreover, CNN celebrated the 17th with a pictorial on religious stonemasonry, something we'd looked at just the day before.

The AP story itself is bursting at the seams with the kind of symbolism we've seen over and over this past year as well.
ALEXANDRIA, Egypt – Archaeologists on Thursday hoisted a 9-ton temple pylon from the waters of the Mediterranean that was part of the palace complex of the fabled Cleopatra before it became submerged for centuries in the harbor of Alexandria.
The pylon, which once stood at the entrance to a temple of Isis, is to be the centerpiece of an ambitious underwater museum planned by Egypt to showcase the sunken city...
"The cult of Isis was so powerful, it's no wonder Cleopatra chose to make her living quarters next to the temple," said coastal geoarchaeologist Jean-Daniel Stanley ...
(Egyptian authorities) are hoping the allure of Alexandria, founded in 331 B.C. by Alexander the Great, can also be a draw.
(Egyptian Antiquities honcho Zahi) Hawass has already launched another high-profile dig connected to Cleopatra. In April, he said he hopes to find the long-lost tomb of Antony and Cleopatra — and that he believes it may be inside a temple of Osiris...

"If the study shows it's possible, (the underwater museum) could become a magical place, both above and underwater," Hawass said.

The underwater aspect of this story and it's connection to Sirius tie in with many of the themes we looked at this past week. Remember the links with Sirius to Oannes and the Nommo, the Sirens (Sirians) and all of the rest of water-beings Robert Temple wrote of in The Sirius Mystery. From UFOpsi.com:
...Temple describes the Nommo as amphibious beings sent to Earth from the Sirius star system for the benefit of humankind. They look like Merfolk, Mermaids and Mermen. They called the Nommo "Masters of the Water", "The Monitors", "The Teachers or Instructors", "Saviors", and "Spiritual Guardians".

The ancient historian Berossus wrote extensively of Oannes, who was based in the Persian Gulf, itself the center of so much excitement these days.

"(Oannes) was accustomed to pass the day among men; but took no food at that season; and he gave them an insight into letters and sciences, and arts of every kind. He taught them to construct cities, to found temples, to compile laws, and explained to them the principles of geometrical knowledge.

- Berossus, from Ancient Fragments
Berossus describes Oannes much the same way as Plutarch describes the worship of Osiris:
That when Osiris reigned over the Egyptians he made them reform their destitute and bestial mode of living, showing them the art of cultivation, and giving them laws, and teaching them how to worship the gods.
Plutarch reports that the ancient Greeks and Egyptians identified Osiris with all forms of water, and here again we see the identification of Sirius with water:
Of the stars, they hold Sirius to be Isis’ Water-carrier, they honour the Lion, and decorate the gateways of temples with gaping lions’ heads, because the Nile swells:— "When first the Sun doth with the Lion join."
Plutarch also notes that the ancients "hold and believe the Nile the issue of Osiris, so do they regard the earth as the body of Isis." And here a whole new kettle of fish is opened...


Isis-Sirius-Demeter, kept in a Vatican Museum (where else?)


Apparently the etymology of Ceres- the Roman name for Demeter (meaning "Earth Mother") is uncertain. But considering that the Greeks identified Demeter with Isis (the Vatican holds a statue of Isis-Sothis-Demeter from Hadrian's villa, Sothis being another name for Sirius), it seems pretty obvious to me that Ceres is a Roman adaptation of Sirius:


CER-E-S = SIR-I-US.


And apparently the rising of Sirius was celebrated at the Telestrion of Demeter at Eleusis. The Romans had a Sirius ritual to the goddess Robigo meant to protect the crops from wheat rust. Wheat rust is a fungal cousin of the rye ergot that some believe was the psychoactive component of Demeter's kykeon.

But some scientists today literally believe Ceres- the asteroid, that is - might in fact actually be the Earth's mother- that life was seeded to a barren, post-bombardment Earth from DNA-laden space debris arriving from Ceres:
At the International Society for the Study of the Origin of Life conference in Florence, Italy, Joop Houtkooper from the University of Giessen divulged a theory that life could have originated on an object in the asteroid belt named Ceres.

Ceres was considered to be a planet when it was discovered in 1801, but it was later downgraded to asteroid status. With the latest planet definition from the International Astronomical Union, the round object is now considered a dwarf planet. Is there a chance that this exotic world is home to extraterrestrial organisms?

Whether panspermia or AAT, DNA is the great mystery here - it may in fact be a kind of cosmic pollen travelling the Universe in search of suitable hosts.

The entheogen-inspired discovery of this cosmic contagion (short version- Francis Crick was tripping on LSD when the inspiration for the helix came to him) has sent alt-historians looking back at all of the caduecii and the trees of life and all of the other intertwined spirals in ancient art. And it seems the earlier in what we accept as human history that you go, the more you seem to find these enigmatic icons.

As we saw, this is the earliest and the most compelling - the Sumerian god Ningishzida, the "Lord of the Good Tree," who is the god of nature and fertility and "messenger of the Earth Mother."

Which brings us back to the idea of DNA as the messenger of the Ceres asteroid
- or maybe some other, more exotic heavenly body that Ceres is just acting as a politically-correct stand-in for.

Francis Crick himself has been quoted as saying this:
“Life did not evolve first on Earth, a highly advanced civilization became threatened so they devised a way to pass on their existence. They genetically-modified their DNA and sent it out from their planet on bacteria or meteorites with the hope that it would collide with another planet. It did, and that's why we're here."
I have no proof as yet, but my gut tells me that a lot of powerful and influential people agree with Crick. Where this is all going, we may very well soon see...

Thursday, December 17, 2009

Stairway to Sirius, Revisited: Part 6 - Indiannunaki Jones



No matter how far afield things might get here sometimes, I want to reiterate that The Secret Sun is a pop culture blog, that explores esoteric topics in the context of entertainment. Why do I cover political topics here? Well, I agree with the late Frank Zappa, who said American politics is the entertainment wing of the military-industrial complex.

It's no surprise then that all of the strange symbolism we've seen in entertainment over the past 30 years or so begin to manifest itself in the political realm, as we explored in the Very Sirius Election and Stairway to Sirius series. Of course, that process has gone supernova with the rise of Barack Obama, or Barackobamun as he's known around these parts.

Now, the symbolism behind the Obama election got me looking at Sirius symbolism, which led me to study the Masonic tracing boards. Yesterday, I showed you that that the tracing boards seem to mirror the basic steps of ancient astronaut theory- arrival, DNA manipulation and departure and legacy. I say 'mirror' rather than 'symbolize', because the Masons have a totally different explanation as to their meaning.

The funny thing is that all of this sprung from two strange UFO-type events- the appearance of strange orbs over an Obama rally in Philadelphia and then the blue spiral over Norway before Obama's Nobel speech. All of this has been surrounded in time by all sorts of semiotic insanity. As I've said the ripples are always bigger than the splash.

Now, it seems like forever ago, but at the same time that Barackobamun was nearing victory in the 2008 Democratic primaries, the long-awaited Indiana Jones and the Kingdom of the Crystal Skull premiered in theaters. The film was savaged by some critics (and fans) but was a monster box office smash. And as we discussed here the film was a Synchromystic goldmine- Roswell, remote viewing, interdimensional aliens, AAT, you name it.

But there was another aspect to the film we looked at here, something not in the script itself. And that was the weird parallels of key plot points in Crystal Skull to, yes, the Masonic tracing boards.

Only in reverse.

The reversal motif always fascinates me, since it was an important part of the rituals of the Shemsu Hor- guiding the soul of the Pharaoh backwards in time to the Zep Tepi, or first time. As Hancock and Bauval wrote in The Mystery of the Sphinx:
An awareness of the effects of precession on the part of the ‘Followers of Horus’ (and the later priests of Heliopolis) would have included an intense focus on the stellar background at the vernal equinox and an understanding that the sun’s ‘journey’ towards Horakhti-Leo, as calibrated at this ‘governing moment ‘ of the year, would by definition have been a journey backwards in time through a succession of ‘world-ages’—i.e. from the Age of Taurus, circa 3000 BC (when the sun on the vernal equinox rose against the stellar background of the constellation of Taurus) to the Age of Leo, circa 10,500 BC, when the sun on the vernal equinox rose against the background of the celestial lion.

So when we read in the Pyramid Texts that the ‘Followers of Horus’ are urging the Horus-King to travel from Taurus to Leo it is possible that they may have had in mind something rather complex and clever.
This 'reversal in time' motif is not unique to the Egyptians; the Greeks had their obsession with the Golden Age, Dicoletian sought to restore the old Rome with its Imperial cult of Jupiter, the Jewish messiah was to restore the throne of David, Christians have their New Jerusalem (in which Christ- the new Adam- rules the earth as Jehovah once did), radical Muslims seek to return to the Caliphate and radical Jews and Fundamentalist Christians have talked of rebuilding the Third Temple. We've seen that return motif in any number of artistic and cultural movements. In this context the reversal literally leads to the ancient gods, who just happen to be aliens.

So here's what we looked at in Crystal Skull article- this version of the Third Degree board...

...mirrored by this notorious scene (the "nuke the fridge" scene), complete with what is called a "deathtrap" coming open, revealing Indy. Note the parallel flashes of light and the branches as well. It's important to note this is a nuclear test here, something that UFO cultists in the 70s and 80s claimed attracted the attention of the 'space brothers'.

Counting down, we have the Second Degree board, which has the water and a the spiral staircase inside what looks like a temple (Solomon's Temple - revered by the Masons - was said to have a "winding staircase").

In Crystal Skull, we also have a memorable waterfall sequence, where we are told "three times it drops". This eventually leads Indy and his entourage to....


...a spiral staircase.

Last but not least, we have the angels/aliens descending their staircase from Sirius to Earth- and straight into a Masonic temple, so it appears.

Completing this reversal motif we see the aliens, now back atop their staircases, ready to return to their other-dimensional realm. In other words, the reversal of time symbolized by the backwards journey through the tracing boards takes us to, yet again, alien gods.

As silly as this story may present itself as being, there's a whole host of very obscure occult and esoteric doctrines being played out here...

...such as Irina returning the venerated Baptist head to the 13th alien (we've looked at Baptist motifs in sci-fi film here before. He we are back to the Oannes motif we looked at in the context of I Am Legend. Theosophist author G.R.S. Mead wrote this about the Baptist:
“...early apocalyptists and allegorists, who were probably Jews of the Babylonian or Syrian dispersion, could conceive of their preexistent Messiah as in such a way associated with the figure of the ancient Hani (Oannes, Iannes, Ioannes) and expected the Redeemer of Israel to arise from the depths of the great waters, it is not improbable that in those days when the interplay of mystical association was so prevalent and eagerly sought out some of the most enthusiastic followers of John may have believed that his baptizing ‘fisher of souls’ was the expected manifestation.”
Is this line the giveaway as to the "reversal of time?" The scientific name for the ox is bos taurus, which ties us back to the Shemsu Hor and their rituals tracing the Age of Taurus back to the Age of Leo. The Age of Taurus saw the glory days of Egyptian civilization, from the rule of the Horus Kings through the Pyramid Age and beyond.

We hear Indy explicitly reference the ancient Egyptians (and their beliefs) but more importantly, Egypt's early period. So "welcome back, Ox" has all sorts of interesting subliminal connotations in the context of this film.


It also saw the rule of Narmer, who we discussed in an earlier Oannes syncstream. Narmer may or may not have been the legendary Scorpion King, who we also looked at this year- and who himself has semiotic links to Obama. Above is legendary Narmer stele, whose tiered format brings us right back to where all of this insanity started...

...the Oslo mural.

The stele also gives us yet another ancient depiction of a double helix, using those strange, almost-alien animals.


DNA, yet again? Where it doesn't belong?




TO BE CONCLUDED

Wednesday, December 16, 2009

Stairway to Sirius, Revisited: Part 5, The Real Lost Symbol




Ancient Astronaut Theory is just that - a theory. We obviously don't have access to the ancient astronauts themselves, so it's up the various researchers to present their theories based on the evidence as well as the gaping holes in orthodox theories of human civilization and evolution.

In Secret Sun parlance a theory is a query, and I don't view any of the various AAT researchers as authoritative. I'm not always interested in their answers, either- it's the questions that fascinate me. Those questions that keep the denialists and the theologians up in their beds at night, sweating and grinding their teeth.

Opinions vary, but the basic narrative behind Intervention Theory- the term many researchers prefer to AAT - is that a technologically-advanced race traveled to the planet Earth, perhaps in search of precious minerals like gold, platinum, and diamonds. Or maybe just for the adventure of it.

In some accounts, the space-race needed an intelligent race of workers to help extract resources. None was available, so the space-race experimented with primates/protohominids to create a thinking, manually-dexterous race of workers and trained them. They did so by recombining their own DNA with the apes' over a long period of time (millennia actually). Eventually modern humans emerged and were taught the rudiments of civilization by aliens who were eventually worshiped as gods.

Researchers point to civilizations all across the world- North Africa, Mespotamia, Mesoamerica- but most of these alleged visitations seem to have happened in hot climates, often near large bodies of water. From there there are a host of different theories and variations, depending on the author.

For our purposes, here is the basic AAT narrative in three easy steps:
1. A race of alien beings with unimaginable advanced technology comes to the Earth.

2. Through the genetic engineering of primate DNA, they create an intelligent, dexterous race of workers.


3. At some point the aliens either destroy each other in a terrible war, or simply return to their home planet. Either way they are gone- the alien "gods" are dead, but they have left behind their advanced knowledge in their myths and artifacts.
It all gets a lot more complex from there on in, but various researchers have also pored through those ancient texts and claim that not only are those alien gods due to return, they left behind a secret class of priestly servants, who are responsible for preserving the legacy of the 'gods' in lieu of their return. This ties directly into the Shemsu Hor- the Followers of Horus, the last god-king of Egypt- who we've discussed several times on this site as being the spiritual descendants of groups like the Dionysian Artificers and the Freemasons.

The apparent goal of the Shemsu Hor was to guide humanity back to the Zep Tepi- the 'First Time', the time of the Rule of the Gods. For some reason, architecture and stonework- as well as the use of arcane symbolism- was the primary interest of the Shemsu Hor, though their exact secrets have been lost to history- orthodox history, at least.

Now, here are your typical modern Freemasons. Please don't take this the wrong way, but I think it's a safe bet these boys aren't the guardians of the great secrets of antiquity, And for those of you who've read The Lost Symbol, Dan Brown doesn't seem to know much about those secrets either.

But what if some trace of the original revelation - the teachings of the Shemsu Hor - remained in Masonic symbol, but had been lost to corruption and misinterpretation even to the most advanced Freemasons? Let's go back to the tracing boards for evidence.


As we've discussed here before, the First Degree tracing board depicts a stairway descending from the star Sirius, upon which are a group of angelic beings coming down to a lectern or altar. In other versions symbols of learning and technology descend down a ladder.

So, what was the first step of the AAT narrative again?
1. A race of alien beings with unimaginable advanced technology comes to the Earth.

As we discovered recently, there is a spiral staircase- now used as a symbol of the DNA double helix- in the Second Degree board.

This lies inside what looks to be a temple or castle, or even the entrance to a royal laboratory - and there are two armed guards at the building's entrance. Outside we see a waterfall. Remember that the protector god Ea/Enki/Oannes/Osiris - was identified with water (we've also see the waterfall in other, similar contexts, haven't we?).

So here we see here a symbolic parallel to the second stage of the AAT thesis:
2. Through the genetic engineering of primate DNA, they create an intelligent, dexterous race of workers.
This is a good time to take another look at the DNA helix alongside a Second Degree tracing board created by Lady Freda Harris, designer of Crowley's Thoth tarot. Unbelievable.

Created well before Crick & Watson's discovery of DNA, in case you were wondering.

The Third Degree depicts a casket, alongside some of the sacred symbols of Masonry. This implies an inheritance; the spiritual leader (Hiram Abiff, in Masonic mythology) is dead, but has left behind the tools, information and laws vital to human evolution.

Waldo, if you will - the third AAT step...?
3. At some point the aliens either destroy each other in a terrible war, or simply return to their home planet. Either way they are gone- the alien gods are 'dead', but they have left behind their advanced knowledge in their myths and artifacts.
Let's review the parallels again:

AAT01 - Landing of alien colonists
First Degree - Descent of winged beings from Sirius

AAT02 - Genetic engineering of primate DNA
Second Degree - The spiral staircase, resembling the double helix

AAT03 - Gods 'die' but leave behind knowledge, artifacts
Third Degree - Coffin, sacred symbols of knowledge, law

You still with me? Let's proceed, then...


SET IN STONE

Leaving aside Freemasonry (which, after all, has only a symbolic connection to actual masonry), we have a long tradition of sacred stonework throughout history, particularly in Egypt. So the obvious question becomes, why this obsession with stonecutting and megaliths and all of the rest of it? Why has carving gigantic structures in stone been the highest expression of devotion in religious traditions all across the world- Christianity, Buddhism, Hinduism, the Egyptians, the Mayans, the Aztecs, and on and on?

Let me answer that question with a question. Hypothetically, say you were yourself an intelligent, space-faring being who zoomed around the cosmos, leaving colonies and settlements in your wake. You're aware that the Universe is a violent place, especially on water planets close to their star like the Earth. All trace of your presence could be wiped away in a heartbeart.

But still, you want some trace of your planetary accomplishments left behind. Either that or you want your 'children' to know about their 'parentage', or you may even want to leave messages for them whether about your existence or even your eventual return. How would you do that on a violent planet like the Earth?

You'd write your messages in stone.

Maybe you'd carve gargantuan blocks at precise angles difficult for modern machinery to achieve and move them for distances that no pre-industrial race could possibly dream of doing, no matter what the ridiculous denialist shills might claim. Stones sometimes weighing hundreds of tons apiece, I might add.

Or you'd design massive structures set to precise alignments, whether geographic...

...or cosmic. Cosmic and geographic alignments we are now just discovering the existence of, I should add.

You might even leave behind traces that your progeny might only be able to discover once they'd mastered the art of high-altitude flight. It might take a long time to decipher (and might be buried under centuries of message-corruption) and the shills and the stooges might muddy the waters and make the process more difficult, but maybe your message would eventually get through.


And then what?



TO BE CONTINUED




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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

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