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Saturday, March 6, 2010

March 06 - Is Time an Illusion?‏

Dear Friends,

http://www.theepochtimes.com/n2/content/view/30858/

Be Well.

David

Is Time an Illusion?

By Leonardo Vintiñi

Could our past, present, and future exist together?
Could our past, present, and future exist together? (Photos.com)
“Time is a moving image of eternity.” —Plato

We tend to believe that destiny is not fixed and that all time past fades into oblivion, but can the movement be a mere illusion? A renowned British physicist explains that in a special dimension, time simply doesn’t exist.

“If you try to get your hands on time, it’s always slipping through your fingers,” said Julian Barbour, British physicist and author of “The End of Time: The Next Revolution in Physics,” in an interview with the Edge Foundation. While this poetic statement still resonates in the room, Barbour and the journalist probably do not have any connection with their own selves a second ago.

Barbour believes that people cannot capture time because it does not exist. While this is not a new theory, it has never had the popularity that Einstein’s theory of relativity or the string theory has had.

The concept of a timeless universe is not only irresistibly attractive to a handful of scientists, but such a model may pave the way to explain many of the paradoxes that modern physics faces in explaining the universe.

We tend to think and perceive time to be linear in nature, the course of which inevitably flows from past to future. This is not only a personal perception of all humans, but also the context in which classical mechanics analyzes all mathematical functions within the universe. Without such a concept, ideas such as the principle of causality and our inability to be present simultaneously in two events would begin to be addressed from a completely different level.

The idea of the discontinuity of time proposed by Barbour attempts to explain in a theoretical context a universe composed of many points he calls “now.” But such “nows” would not be understood as fleeting moments that came from the past and will die in the future; a “now” would only be one among the millions now existing in the eternal universal mosaic of a special dimension impossible to detect, each one related in a subtle way to the others, but none more outstanding than the neighboring one. They all exist at the same time.

With such a mix of simplicity and complexity, Barbour’s idea promises a great relief to anyone who is willing to accept the lack of time before the Big Bang.

Barbour thinks the concept of time might be similar to that of integers (whole numbers). All numbers exist simultaneously, and it would be insensible to think that the number 1 exists before the number 20.

At this point of the argument, it is probably inevitable for the reader to ask, “Are you trying to convince me that this movement I’m doing right now with my forearm does not exist? If infinitesimal fractions of ‘nows’ are not connected to each other, how do I remember the first ideas in this article? How do I remember what I ate for lunch? Why do I wake up and go to work if the job belongs to the ‘I’ that has nothing to do with me? If the future is already there, why strive at all?”

Such dilemmas have arisen from the illusory perception that time is fleeting, like water in a river. We can consider a timeless universe as a long vanilla custard, the center of which has been filled with chocolate for the whole length of the custard. If we cut a slice, we get what we call a present, a “now.”

Assuming that the chocolate in the center represents us, we would believe that our slice is the only one existing in the universe, and that the anterior and posterior slices exist as concepts only. This idea would sound ridiculous to an observer of the custard, who knows that all slices exist together.

Taking this example, you could say that “I” am not the same person who began writing this sentence. I’m unique, perhaps in apparent connection with each of the subjects who wrote the words earlier in this paragraph. Still, even the endless “nows” independent of each other would not be dispersed. They still make up a structure. They are a block, a whole custard with no crumbs.

And this is Barbour’s theory: In a space of the cosmos, the future (our future) is already there, deployed, and every second of our past is also present, not as a memory but as a living present. The most painful thing to humans, like Eastern philosophies outline, would be to try to break the fixed mold.

The wise one, who follows the predetermined course, would be a happy face amid the cosmic chocolate custard and tries to live our unique and extremely tiny “nows.”

Most of us are deeply convinced that at an unconscious level, a great cosmic clock is ticking out every second of this huge space called the universe. However, early in the last century, Albert Einstein had already demonstrated that temporal reality is relative to each object in the universe, and that time is a “subject” inseparable from space. Even specialists who synchronize time in the world are aware that the world is handled by an arbitrarily stipulated ticking, as clocks are not able to measure time at all.

Apparently, the only alternative is to sink into a “temporary illusion” of this infinity, knowing that there is a space where our past still exists and what we do doesn’t change. Or as Einstein himself would say, “People like us, who believe in physics, know that the distinction between past, present, and future is only a stubbornly persistent illusion.”

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1 comment:

esoteric



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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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