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Friday, October 22, 2010

Oct. 22 - Hogan’s holometer: Testing the hypothesis of a holographic universe

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http://www.symmetrymagazine.org/breaking/2010/10/20/fermilab-scientists-to-test-hypothesis-of-holographic-universe/


Be Well.


David


Hogan’s holometer: Testing the hypothesis of a holographic universe

October 20, 2010 | 10:00 am

MIT physicist Sam Waldman in the laser lab where the holometer is being constructed

MIT physicist Sam Waldman in the laser lab where the holometer is being constructed

In 2008, Fermilab particle astrophysicist Craig Hogan made waves with a mind-boggling proposition: The 3D universe in which we appear to live is no more than a hologram.

Now he is building the most precise clock of all time to directly measure whether our reality is an illusion.

The idea that spacetime may not be entirely smooth – like a digital image that becomes increasingly pixelated as you zoom in – had been previously proposed by Stephen Hawking and others. Possible evidence for this model appeared last year in the unaccountable “noise” plaguing the GEO600 experiment in Germany, which searches for gravitational waves from black holes. To Hogan, the jitteriness suggested that the experiment had stumbled upon the lower limit of the spacetime pixels’ resolution.

Black hole physics, in which space and time become compressed, provides a basis for math showing that the third dimension may not exist at all. In this two-dimensional cartoon of a universe, what we perceive as a third dimension would actually be a projection of time intertwined with depth. If this is true, the illusion can only be maintained until equipment becomes sensitive enough to find its limits.

“You can’t perceive it because nothing ever travels faster than light,” says Hogan. “This holographic view is how the universe would look if you sat on a photon.”

Not everyone agrees with this idea. Its foundation is formed with math rather than hard data, as is common in theoretical physics. And although a holographic universe would answer many questions about black hole physics and other paradoxes, it clashes with classical geometry, which demands a universe of smooth, continuous paths in space and time.

“So we want to build a machine which will be the most sensitive measurement ever made of spacetime itself,” says Hogan. “That’s the holometer.”

The holometer is named after a 17th century surveyor's instrument.

The holometer is named after a 17th century surveyor's instrument.

The name “holometer” was first used for a surveying device created in the 17th century, an “instrument for the taking of all measures, both on the earth and in the heavens.” Hogan felt this fit with the mission of his “holographic interferometer,” which is currently being developed at Fermilab’s largest laser lab.

In a classical interferometer, first developed in the late 1800s, a laser beam in a vacuum hits a mirror called a beamsplitter, which breaks it in two. The two beams travel at different angles down the length of two vacuum pipe arms before hitting mirrors at the end and bouncing back to the beamsplitter.

Since light in a vacuum travels at a constant speed, the two beams should arrive back to the mirror at precisely the same time, with their waves in sync to reform a single beam. Any interfering vibration would change the frequency of the waves ever so slightly over the distance they traveled. When they returned to the beamsplitter, they would no longer be in sync.

In the holometer, this loss of sync looks like a shaking or vibrations that represent jitters in spacetime itself, like the fuzziness of radio coming over too little bandwidth.

The holometer’s precision means that it doesn’t have to be large; at 40 meters in length, it is only one hundredth of the size of current interferometers, which measure gravitational waves from black holes and supernovas. Yet because the spacetime frequencies it measures are so rapid, it will be more precise over very short time intervals by seven orders of magnitude than any atomic clock in existence.

“The shaking of spacetime occurs at a million times per second, a thousand times what your ear can hear,” said Fermilab experimental physicist Aaron Chou, whose lab is developing prototypes for the holometer. “Matter doesn’t like to shake at that speed. You could listen to gravitational frequencies with headphones.”

The whole trick, Chou says, is to prove that the vibrations don’t come from the instrument. Using technology similar to that in noise-cancelling headphones, sensors outside the instrument detect vibrations and shake the mirror at the same frequency to cancel them. Any remaining shakiness at high frequency, the researchers propose, will be evidence of blurriness in spacetime.

“With the holometer’s long arms, we’re magnifying spacetime’s uncertainty,” Chou said.

Conceptual design of the Fermilab holometer

Conceptual design of the Fermilab holometer

Hogan’s team liked the holometer idea so much they decided to build two. One on top of the other, the machines can confirm one another’s measurements.

This month, having successfully built a 1-meter prototype of the 40-meter arm, they will weld the parts of the first of the vacuum arms together.

Hogan expects the holometer to begin collecting data next year.

“People trying to tie reality together don’t have any data, just a lot of beautiful math,” said Hogan. “The hope is that this gives them something to work with.”

Sara Reardon

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esoteric



SUBTITLES IN ENGLISH, ESPAÑOL, PORTUGUÊS

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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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