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Sunday, December 5, 2010

Dec. 2 - To Infinity and Beyond: Transcending our Limitations

Dear Friends,

Click the link to proceed to page 2.

http://www.grahamhancock.com/forum/HarameinN1.php

Be Well.

David



To Infinity and Beyond: Transcending our Limitations
By Nassim Haramein

DVD by Nassim Haramein

Crossing The Event Horizon
Crossing The Event Horizon

Buy directly from The Resonance Project

Nassim Haramein

We are very pleased to welcome scientist Nassim Haramein as our February 2011 Author of the Month. Born in Geneva, Switzerland, in 1962, Nassim Haramein from as early as nine years old was developing the basis for a unified hyperdimensional theory of matter and energy, which he eventually called the Holofractographic Universe theory. He has spent most of his life researching the fundamental geometry of hyperspace.

Combining this knowledge with a keen observation of nature, he discovered a specific geometric array that is fundamental to creation. His unification theory, known as the Haramein–Rauscher Metric (a new solution to Einstein's field equations that incorporates torque and Coriolis effects), and his recent paper "The Schwarzschild Proton" lay down the basis of what could be a fundamental change in our current understandings of physics and consciousness.

In the past 20 years, Mr Haramein has directed research teams of physicists, electrical engineers, mathematicians and otherscientists. He founded a non-profit organisation, The Resonance Project Foundation, where as Director of Research he continues exploring unification principles and their implications.

The foundation is actively developing a research park in Hawai'i which combines science, sustainability and green technology.

Nassim Haramein has been giving lectures and seminars on his theory for more than 10 years.

For more information and to contact Nassim Haramein, visit http://www.theresonanceproject.org.

This article originally appeared in Nexus Magazine.

The Universe is at once infinitely large and infinitely small, is organised according to a holographic fractal scalar arrangement, and may well consist of black holes even at the subatomic level

Exploring the Nature of Reality

Have you ever wondered about the structure of reality? Where did it come from? How did it get here? And how did it self-organise to result in my observing it? These are fundamental enquiries that most people have asked themselves at some point in life. They might have thought of these questions in many different ways, perhaps not exactly as stated above, but most people have wondered about the source of existence, about a beginning and an end or an eternal continuous dynamic.

From an early age, these questions felt to me as most worthy of investigation, and in a certain way my earlier adventures in the various sports industries became tools that I could use to investigate the reality I am in, my interaction with it, and my capacity to modify it or at least push it to the extreme. And to the extremes I pushed it: whether it was skiing, climbing or deep-sea diving, my tendency was to see how far I could push the edge of the structure of reality by my intent and capacity to overcome physical limitations. It was a test of mind over matter, and in every case I felt that a resonance field could be established with the structure of reality— what athletes typically call "the zone"— where, as best I can describe it, I felt a flow, a type of harmony with all the various dynamics I was encountering in these extreme situations.

Whether it was the forces involved, such as gravitational, or the sensations of the material world feeding back information to my body and my body responding to it—such as the fine edge of my ski slicing through an icy surface, or the sensations as the tips of my fingers conformed to sharp crystals while I climbed a thousand-foot rock face—these moments of high communion with nature taught me that there must be a fundamental relationship. I eventually came to describe this as a feedback in the structure of space-time which included this sense of complete integration within the wheelworks of nature that I was experiencing as well as the self- organising properties of the material world which I could clearly observe everywhere in the natural environment where highly organised and complex systems can be found

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SUBTITLES IN ENGLISH, ESPAÑOL, PORTUGUÊS

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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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