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Sunday, August 23, 2015

Gary Vey -- Why Yemen is the next war front.



Why Yemen is the next war front.

By Gary Vey for viewzone

As an editor here at viewzone I get to write and publish lots of interesting stories. Some authors write stories to promote a book or CD. Others want to be credited with a discovery of something, usually in the field of science or history. Occasionally though, a story must be told because it is ripe -- its time has come -- and that is why I have decided to write this true story about Yemen.

In the past couple of days, Yemen has been in the news. Following a botched terror attack by a Nigerian who once visited Yemen, Senator Lieberman and President Obama have told the American public that this country is the next war front. In no time at all there will be military advisors, equipment and soldiers on the ground, just like in Iraq. And like Iraq, the real agenda for being there will be hidden from you. That is, until you read this.

Soon you will hear many things about Yemen. The media will paint a picture of this country and its people as the new home of Al Qeada, and you will believe what they say. Why wouldn't you?

Yemen is the poorest country in the Arabian peninsula. It's located on the map below Saudi Arabia. Despite it proximity to the rich oil nation, Yemen is too far south to benefit from the rich oil deposits. It's hot and dry and water is scarce. The Yemeni people are mostly tribal, as they have been for centuries. There's really no reason anyone would vacation in Yemen. Unless you have family there, you would likely never go to Yemen.

But I have.


In 2001 I was the guest of the Yemeni government because I had accidentally made a discovery that I had no right to make. I discovered strong evidence that the Ark of the Covenant is buried in an archaeological site in a desert outpost called Marib. I know how it sounds... but keep reading.


Accidental discovery


No, I'm not an archaeologist or even an historian. At the time I was a computer programmer, working in a cubicle for the electrical grid that controls the power for the Northeast of America. In my spare time I was, and still am, the editor for viewzone. I was asked to do a story on some petroglyphs -- carved stones -- in a small Colorado town called LaJunta. The man who asked me was named Bill McGlone and he suspected that these carved shapes were an ancient language from the "old world."


The petroglyphs above were originally painted with aluminum powder before being photographed and have been enhanced here in white with photoshop to make them stand out from the dark rock face.

I went to the site and photographed the petroglyphs. They were very old and covered with thick black patina, a kind of mineral that builds up on the stone over many centuries. I had to illuminate them from the side to reveal the hollowed shapes and sometimes there were younger Native American petroglyphs scraped on top of them. Aluminum powder, which is mixed with water, was painted on some of the very old and darkened petroglyphs. This falls off the rock harmlessly when it has dried. It's better than chalk, which can scrape and damage the patina and interfere with any attempts to date the writing.

The older petroglyphs seemed to have recurring symbols, like an alphabet, and I spent about a week photographing them. When I returned home I published them on viewzone and, at Bill's request, asked if anyone could shed light on what these shapes might mean.


About a year passed. I received news that Bill McGlone had passed away. There seemed little interest in the petroglyphs of Colorado until I got an e-mail from a retired professor from BYU. He didn't say much but attached some jpg files showing more petroglyphs with these same shapes [right]. I immediately wrote back to him and asked where in Colorado these photographs were taken. He promptly replied with even more photographs that were from the Negev desert in Israel.

Dr. James Harris made many trips to the mid-east. He was particularly interested in a collapsed turquoise mine containing inscriptions in the same alphabet that were carbon-dated to 1500 BC. It was the same alphabet that was found in Colorado. He successfully translated the writing by using an ancient proto-Hebrew dialect. He offered to translate some of the Colorado inscriptions and shared his algorithm with me.

As a computer programmer I was able to use this algorithm to create atranslation program [400Kb] in JavaScript. Once downloaded on a laptop, this program could translate most of the inscriptions by running it through a web browser. I returned to Colorado a few months later and successfully translated most of the petroglyphs there. This was very exciting. The Colorado writing made references to KNN, or Cannan, and of the deity YH, Yahweh, but I could not understand how this ancient language was carved on the Colorado stones thousands of years ago.


The next e-mail I received contained more photographs of the same alphabet. This time the letters were perfectly formed in a font, carefully carved in stone and cast in bronze! The photographs were taken at the newly excavated archaeological site of the Queen of Sheba in Yemen. A team from the University of Calgary had uncovered the Queen's palace after being buried in the desert sands for 3000 years.

The photos were from press releases announcing the discovery. They stated that an "unknown" language had been found on a large wall surrounding the unexcavated courtyard of the Queen's palace. Often workers posed in front of the wall, hiding some of the letters. This was frustrating to me but I managed to translate enough to suggest a story that was written there. I stayed up for days and finally translated what texts I could see from enlarging the photographs.

I'm not a historian. I didn't understand what I had translated. It read as follows:


(portions of the text were obscured by some workers standing in front of the wall)


"...because the Son was aware of the essence that was in him...
"And when the happiness of the Son was poisoned
by the news that his father passing on
the anger lifted when the son was told
the location of the Father's great box of EL.
"And when the happiness of Son was poisoned
by the action of the beautiful Lord's movement
the Son was made happy to swear to protect the box of EL,
and to be associated with the Lord's spirit.
"And his gloom lifted.
The Son constructed a chamber for the beautiful Lord's spirit and covered it up. He accompanied the chamber of the Lord underneath to pray and to gain understanding and to protect..." (interrupted again by workers in the photograph)

The next photograph was of a bronze cast cylinder that looks as if it had once enclosed a round column. The individual letters of the alphabet had been mass produced, perhaps in wax, before the bronze was cast. "Movable type," I thought. How ingenious! I spent another long night translating this text and it seemed somehow relevant to the carved stone I had finished the previous nights.


(parts missing)... the Mother listened through the aperture of the Son in his chamber to see if he renounced the agreement with the Lord ...(more parts missing)
... because the sorrowful mother assembled around the chamber a wall without mortar so that she might rescue the son ...
... she watched the son through the aperture and saw it illuminated and heard thunder and feared for the son ...
... the son increased his knowledge of the future and the son shook and trembled from the knowledge of the unknown ...
... to save her son because of the silence and because the worm had moved out from the aperture and great was her sorrow ...
... moved from silence to judge if the son foresaw the loving mother wail and doubt his agreement with the Lord ...
... the spirit [no translation] was happy to be made blind on account of the box and the son's step-brother suffered increased painful study ...
... the round city to protect her poor son and the mother then slowly encircled the foundation of the chamber ...
...to judge the poor mother so the dwelling place of the box was obscured and the mother was also fearful that the sea would rise ...
... so the proud mother's love for her only son made her to fortify the chamber of the box in case the earth might tremble ...

The photos were being sent to me by John McGovern, who lived in Australia. He was following the discovery of the petroglyphs in Colorado and saw the similarity of alphabets in the press release by the University of Calgary. He continued to research the artifacts in Yemen and sent me one more carved stone that was on display in a Yemeni museum -- upside down!

I rotated the image using Photoshop and began translating again.


"(stone broken off at both ends)... the son also did not foresee the optimal time for drinking one's fill because of the unknown powers in the world of his future offspring and so the world of his progeny would remained sealed ...
... we pray that the crop (people) will be purified but do not encourage the harvest (of the people) prematurely as the Lord will burn the evil nations from the sky but let the son have dominion over the grain (creatures) and do not rise up until friendly nations are here ...
... enter also to destroy and let the son predict the leader of these ripe seeds and the son will rejoice for the age of the 'box of EL' ...
... the proud mother's son loves the fresh nation but respect the dwelling place of the body and tabulate the danger from salt water ...
... and the son but do not bind the Lord to have plenty but unite the people in prayer on the mound and woe let the friends of the son rejoice and love because love can at last be lofty ...
... real hiding place but wanted to agree to cause the Lord to escape but why shed tears for the imprisoned? The mother made the construction to be worthy of the delicate Lord and to praise the Creator ...
... the son foresaw the leader ... (part of block missing here) ... and the nation revered this son indeed!"

Because I am not an academic, getting anyone to review my work was almost impossible. No one would even speak to me and, if they did, they would mention Graham Hancock or even worse -- the movie, Raiders of the Lost Ark.

But eventually, someone did listen to me. I sent a copy of my translations to the office of President Saleh, in Yemen, and received an invitation to come to the archaeological site.


 

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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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