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Friday, November 5, 2010

Nov. 05 - The tunnel people of Las Vegas: How 1,000 live in flooded labyrinth under Sin City's shimmering strip

Dear Friends,

Click the link to view the images.

http://www.dailymail.co.uk/news/article-1326187/Las-Vegas-tunnel-people-How-1-000-people-live-shimmering-strip.html#ixzz14Pg8AvnZ

Be Well.

David


The tunnel people of Las Vegas:
How 1,000 live in flooded labyrinth
under Sin City's shimmering strip

By Daily Mail Reporter
Last updated at 11:18 AM on 4th November 2010

Deep beneath Vegas’s glittering lights lies a sinister labyrinth inhabited by poisonous spiders and a man nicknamed The Troll who wields an iron bar.

But astonishingly, the 200 miles of flood tunnels are also home to 1,000 people who eke out a living in the strip’s dark underbelly.

Some, like Steven and his girlfriend Kathryn, have furnished their home with considerable care - their 400sq ft 'bungalow' boasts a double bed, a wardrobe and even a bookshelf.

Austin Hargrave Las Vegas tunnels

Deeper underground: Steven and Kathryn live in a 400sq ft 'bungalow' under Las Vegas which they have lovingly furnished with other people's castoffs

Austin Hargave
Austin Hargave

One man's junk... Tunnel residents have created wardrobes for their clothes and salvaged furniture to make the subterranean world more homely. However, there is little they can do about the water on the floor

Steven and Kathryn

House proud: Steven and Kathryn have also compiled their own library - and constructed shelves to house it

They have been there for five years, fashioning a shower out of a water cooler, hanging paintings on the walls and collating a library from abandoned books.

Their possessions, however, are carefully placed in plastic crates to stop them getting soaked by the noxious water pooling on the floor.

'Our bed came from a skip oustide an apartment complex,' Steven explains. 'It's mainly stuff people dump that we pick up. One man's junk is another man's gold.

‘We get the stuff late at night so people don't see us because it's kind of embarrassing.’

Austin Hargrave flood tunnels

Flood tunnels: Amy lives in the labyrinth with her husband Junior. The couple lost their home after the death of their baby son

Austin Hargrave tunnel pix

Treasured photo: Amy's son Brady, who died at four months

Steven was forced into the tunnels three years ago after his heroin addiction led to him losing his job.

He says he is now clean and the pair survive by ‘credit hustling’ in the casinos, donning second-hand clothes to check the slot machines for chips accidently left behind.

Astonishingly, Steven claims he once found $997 (£609) on one machine.

Further into the maze are Amy and Junior who married in the Shalimar Chapel – one of Vegas’s most popular venues - before returning to the tunnels for their honeymoon.

They lost their home when they became addicted to drugs after the death of their son Brady at four months old.

‘I heard Las Vegas was a good place for jobs,’ Amy said. ‘But it was tough and we started living under the staircase outside the MGM casino.

‘Then we met a guy who lived in the tunnels. We’ve been down here ever since.’

Matthew O’Brien, a reporter who stumbled across the tunnel people when he was researching a murder case, has set up The Shine A Light foundation to help.

Austin Hargrave flood tunnels

Home comforts: The tunnel people decorate the homes and even lay scraps of carpet on the concrete floor to make it more comfortable

Las Vegas and tunnels

Graffiti artists have turned this area of the tunnel network into a gallery: The channels stretch for more than 200 miles under the ground

‘These are normal people of all ages who’ve lost their way, generally after a traumatic event,’ he said.

‘Many are war veterans suffering from post-traumatic stress.

‘It’s not known how many children are living there, as they’re kept out of sight, but I’ve seen evidence of them – toys and teddy bears.’

O’Brien has published a book on the tunnel people called Beneath The Neon.

These evocative images which show the community's astonishing way of life were taken by Austin Hargrave, a British photographer now based in the U.S.

They show how the destitute and hopeless have constructed a community beneath the city and have even dedicated one section of tunnels to an art gallery filled with intricate graffiti.

Las Vegas

Back above ground: The blazing lights of the strip give no indication of the city's dark underbelly

Las Vegas and tunnels

Entrance: The towers and fantastical buildings of Vegas can be seen in the background

Las Vegas and tunnels

Chink of light: Most of the people who live underground have fallen into destitution after struggling with drink, drugs or mental health problems



Read more: http://www.dailymail.co.uk/news/article-1326187/Las-Vegas-tunnel-people-How-1-000-people-live-shimmering-strip.html#ixzz14RJJIqO7

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esoteric



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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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