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Wednesday, November 24, 2010

Nov. 23 -Silver, Monetary Policy, the Assassination of JFK and a Case in Synchronic Reverberations

Dear Friends,

Click the link to view the images/videos and access the links.

http://emergent-culture.com/silver-monetary-policy-the-assassination-of-jfk-and-a-case-in-synchronic-reverberations-synchronicity-mayan-calendar-tzolkin-2012-timewave/

Be Well.

David


Silver, Monetary Policy, the Assassination of JFK and a Case in Synchronic Reverberations


John F. Kennedy

The 47th Anniversary of John F. Kennedy’s assassination is November 22, 2010. Why was he killed? Various theories abound and we can be sure that the US Government’s official version is misleading.

Is there any way for those not part of the plot to truly know who was behind JFK’s murder? Those of us on the outside are working with circumstantial evidence… without any smoking gun type of evidence it is difficult to be sure.

Circumstantial evidence while not enough to prove conclusively can at least give us some indication as to the most probable cause. In this article I share a couple of videos that I believe offer some of the most compelling circumstantial evidence thus far.

I will also share a very unusual method that reveals some startling synchronicities surrounding his birth, death and USA monetary policy.


The Question of Monetary Policy

A review of United States monetary policy reveals a struggle between certain US presidents, congressmen, economists and the Central Banking System.

The Federal Reserve is the USA branch of the Central Banking System that was started in Europe by the notorious and nefarious Rothchilds family. It is claimed that the Rothchilds Banking Dynasty is responsible for financing both sides of most if not all of Europe’s wars of the last 200 years.

At the heart of the worlds ongoing financial catastrophe is the question of the monetary system. The central banking system has coerced and/or bribed most governments of the world to authorize them as the only entity legally capable of printing money. Money they print out of thin air.

Interest bearing money they loan to governments. Interest you and I needlessly pay in the form of taxes. I know this is very hard to believe for those who have not looked into the workings of the labyrinthine monetary system.

After you have read this article please have a look at the following link to hear it from the horse’s mouth. Understanding Banking, the Monetary System and Why We Must Reform Them.

It was goal of several US presidents to insure that the Government remain the sole entity capable of printing and issuing interest free money. A monetary system based on gold and silver and controlled by the people.


What Past Presidents have had to say about monetary policy.

“I believe that banking institutions are more dangerous to our liberties than standing armies.
Already they have raised up a monied aristocracy that has set the government at defiance.

The issuing power (of money) should be taken away from the banks and restored to the people to
whom it properly belongs.”–Thomas Jefferson, U.S. President.

“If Congress has the right [it doesn't] to issue paper money [currency], it was given to them to be
used by…[the government] and not to be delegated to individuals or corporations” — President
Andrew Jackson, Vetoed Bank Bill of 1836

Andrew Jackson

Andrew Jackson also said, when speaking to the bankers: “You are a den of vipers and thieves. I intend to rout you out, and by the eternal God I will rout you out.”

When speaking to his closest friend, Martin Van Buren, Jackson said, “The bank, is trying to kill me, but I will kill it!”

Before his death Andrew Jackson is asked what he regarded his as greatest achievement. He replies without hesitation, “I Killed The Bank,”

“History records that the money changers have used every form of abuse, intrigue, deceit, and violent means possible to maintain their control over governments by controlling money and it’s issuance”. — James Madison

“Whoever controls the volume of money in any country is absolute master of all industry and commerce.” — James A. Garfield, President of the United States

“A great industrial nation is controlled by it’s system of credit. Our system of credit is concentrated in the hands of a few men.

We have come to be one of the worst ruled, one of the most completely controlled and dominated governments in the world–no longer a government of free opinion, no longer a government by conviction and vote of the majority, but a government by the opinion and duress of small groups of dominant men.” –President Woodrow Wilson .

There is widespread belief that President John F. Kennedy was killed because of his intent to dismantle the Federal Reserve. Once we understand the power, reach and history of the Banking Cartel it is not difficult to imagine that none would be more willing and motivated to carry out the assassination of an American President than the Banking Cartel. Was the following JFK speech a clue to his intent to expose the parasite known as the Federal Reserve.

JFK talks about Exposing the Greatest Menace to Mankind




JFK took aim at the Federal Reserve when he signed Executive Order 11110





Did the Banking Cartel take aim at John F. Kennedy on November 22, 1963?

We can’t be certain, but we have ample cause to suspect that the banking cartel had the greatest motivation to have Kennedy killed for two reasons. One being executive order 11110 and the other being his desire to end the Vietnam war.

War is the most lucrative business endeavor for many large scale industries—banking being the one industry poised to profit the most. Banks loan the money needed for war time expansion and extra government spending. Regardless of the motivations or who killed JFK one thing has emerged from the stories surrounding his assassination and that is the parasitic presence of the Federal Reserve and the current monetary system they control.

Don’t forget that I discovered that over ninety percent of all national deficits from 1921 to 1939 were caused by payments for past, present, and future wars. –Franklin D. Roosevelt

National deficits that taxpayers can never hope to pay off and why should we it’s not our debt. Deficits that earn interest for the Federal Reserve and others lending money to the morally and economically bankrupt US Government.


Tzolkin Cosmology

Implication

Unless you are a very involved student of my work on the Art and Science of Synchronicity it is likely you have never heard of the term synchronic reverberation. My work involves investigating various scientific bodies of knowledge that model the Universe as a computer of sorts and as a hologram.

Either model necessitates a code of some sort. A code not unlike the genetic code which gives every molecule in our body its place, position, momentum and function. Every star, planet, galaxy, comet and cloud of space dust is given it place, position and momentum according to what are known as the laws of physics.

Modern science has yet to provide a schema modeling the cosmos like the genetic code models organisms, but computational and holographic models of Universe suggest that such a “code” exists.

My study of the Meso American Tzolkin Cycle Code has led to me believe that it represents the code alluded to by the holographic and digital physics view of the cosmos. Tzolkin Cosmology is a very deep subject and this overview serves as only the most cursory of introductions. The Art and Science of Synchronicity is based on my 10 year study of the Tzolkin Cycle Code.

The Tzolkin code is expressed in the language of color, imagery and whole numbers and to the mythically illiterate Western mind the Tzolkin code is wholly unintelligible. To make sense of the Tzolkin code one first has to learn what the images and numbers mean. Those interested to know more may review the articles found in the Art and Science of Synchronicity section.

Carl G. Jung speculated that synchronicities must point to a deeper ordering principle of reality. For me the Tzolkin Cycle Code is evidence of that deeper ordering principle. Let’s call it the sychronic order. The synchronic order gives everything and everyone their place, position, momentum and function within the scheme of things. The Tzolkin cycle repeats every 260 days. Therefore the synchronic order is circular and that means that its code components are recurring. Why does history repeat itself?

History repeats itself because life consists of a set number of recurring themes and settings. All animals are related because the are all constructed from the same components of the DNA code. Each organism is a variation on a recurring theme. All events and processes are variations on a discrete set of recurring themes.

According to Tzolkin cosmology the thematic content of every event has a corresponding code signature. A code signature refers to a set of themes and qualities encapsulated by an archetypal symbol. If the human world is truly orchestrated by recurring patterns of set themes in a fixed sequence then we should be able to detect that order by applying Tzolkin cosmology.

If the genetic code orchestrates the world of living molecules then the Tzolkin cycle orchestrates the human world. I can say the forgoing with confidence because I have experienced the Tzolkin’s many manifestations for many years and I have correlated the components and structure of the DNA with the structure and components of the Tzolkin code and perfect 1 to 1 correspondence emerged.


What is a Synchronic Reverberation?

Cosmic reverberations

A synchronic reverberation is like an echo except that instead of reverberating sounds we have reverberating images, numbers and themes. Remembering what happened in the past is a mental reverberation of the events in question. People talking about events past or current amount to sonic reverberations of the event.

By noting the dates on which events transpire we auger our memories to specific time vectors. As we approach a certain date memories augured to that date are triggered and reverberations or faint echos of the event are released. Some events are reenacted out of reverence and those would be called symbolic reverberations.

A synchronic reverberation within Tzolkin cosmology involves the concurrence of Tzolkin imagery, themes or numbers with corresponding events in our world.

One method of validating Tzolkin cosmology as a synchronic order would be the day in and day out non-failing correspondence between the Tzolkin’s coded themes and the events of the day or time period in question.


Examples of Synchronic Reverberations

But first a few Tzolkin basics so as to not confuse you all together.

The Tzolkin code consists of 20 recurring themes also known as archetypes and they are depicted as symbols

Click to Enlarge. An explication of the Tzolkin Cycle-Code Chart

The Tzolkin cycle is composed of twenty 13 day periods known as TONE CYCLES.

Each day is coded by a THEMEPLEX or an amalagm of related themes.

Each 13 day period is also coded by a Themeplex. Meaning that a 13 day cycle is to be regarded as whole unit of time measurement much like a day is a whole unit of time measurement.

For simplicity and in order to minimize confusion I am going to refer to the Tzolkin’s theme symbols by number versus their name. In this case synchronic reverberations are going to manifest themselves entirely as repeating numbers or sets of numbers.

Terms:

  • Tzolkin Cycle Date: A number marking a day’s place in the sequence of 260 days
  • Tone Cycle Number: Refers to the numerical signature of the symbol corresponding with the first day of a tone cycle.
    To speak of being born during a particular Tone cycle is like saying I was born during the 23rd week of the year.
  • Themeplex Date: Refers to the numerical signature of a set of Tzolkin symbols corresponding to a given date.

The Tzolkin cycle is 260 days long compared to the solar year’s 365. That means that the Tzolkin cycle starts and ends on different days of the solar year over the course of time. It takes 52 years for the same day on the Tzolkin cycle to once again correspond with the same day on the solar calendar.


Synchronic Reverberations surrounding the birth and death of John F. Kennedy

JFK Birth Dates

  • JFK was born on May 29, 1917. He was born on the 10th day of the 17-2 Tone cycle or Tzolkin date 157.
  • The 10th day of the 17-2 Tone cycle is Tzolkin date 166 or Themeplex 6-13

JFK Death Dates

  • JFK was killed on 11-22-1963. He was killed on the 12th day the 2-17 Tone cycle.
  • 2-17 Tone Cycle = Tzolkin Cycle date 222.
  • The 12th day of the 2-17 Tone cycle is Tzolkin date 233 or Themeplex 13-6

Synchronic Reverberations thus far

  • Birth Tone Cycle = 17-2
  • Death Tone Cycle: 2-17
  • Birthdate Themeplex = 6-13
  • Death Date Themeplex: 13-6
  • Gregorian Death date: 11-22
  • Tzolkin Tone Cycle Death Period: 222

Dominant Number Theme: 2 and duplication of number sets

  • 6 is a multiple of 2 or one can can say that 6 is a reverberation of 2 three times or 3 two times.

    Maya number notation

  • Within Tzolkin cosmology the number 17 is related to the number 2. 17 is denoted by 3 bars and 2 dots using the Maya number system of dots and bars.
  • Each set of key numbers is repeated twice. The numbers 22 and 222 will be duplicated further down as I complete this example.

Gregorian calendar dates are valid markers of reverberations even though they are not direct manifestations of the Tzolkin Code. Please bear in mind that according to Tzolkin cosmology everything in our world is a formulation or derivative of the master program known to us as the Tzolkin Cycle-Code


A November Cornucopia of Synchronic Reverberations

@Cosmocycle is the Twitterverse channel for the Art and Science of Synchronicity. It is designed to augment ones emergent-culture.com based study of Tzolkin cosmology

The number 22 was brought to my attention by one of my students on the Art and Science of Synchronicity known as @kidfractus on Twitter.

He sent me a message asking me about the relevance of the number 22 via twitter on 11/11/10 at 11:02 am. As you can see the gods wanted to make sure I got the message.

After he made mention I began to see the number 22 crop up all around me. Then on that same day Max Keiser announced his silver bullet initiative to crash JPMorgan. Keiser’s announcement provoked me to look into deeply into his proposal and I prepared an article on my preliminary findings.

In the process of researching I realized that JFK’s assassination date was on 11/22 and that JFK’s assassination might be linked to his Silver Certificate initiative to by pass the Federal Reserve. So I began to crunch and investigate the numbers surrounding JFK’s Silver Certificate order.

  • @kidfractus asks me relevance of the number 22 on 11/11/10 at 11:02 am.
  • Max Kieser Announces his Crash JPMorgan Buy Silver Initiative on 11/11/10
  • The Silver Certificate Executive Order signed by JFK was numbered 11110
  • 11/11/10 corresponded with Tzolkin date 217 or Themeplex 17-2.
  • 11/22/10 is the 47th anniversary of JFK’s death and that date falls on the 7th
    day of the 2-17 tone cycle=Tzolkin date 222

Here we have 4 links to JFK … 1 thematic (silver) and three numerical in nature.

Dates surrounding the JFK’s Silver Note Order.

  • JFK signed Executive order 11110 on June 4, 1963 = Tzolkin date 62 = themeplex 2-17
  • Tzolkin date 62 is the 1oth day of the 13-6 tone cycle = Tzolkin date 53
  • Kennedy would be killed later that year on Themeplex 13-6 during the 2-17 Tone cycle or Tzolkn date 222

Other Curious Synchonic Reverberations

  • November 22, 2010 marks the 47th anniversary of JFK’s assassination.
  • The Atomic Weight of Silver is 47
  • I will turn 47 in the first week of December 2010
  • Sunspot 1122 disappears on 11/11/10
  • Emergent-Culture twitter follower count reached 5222 on 11/22/10 during the 222 tone cycle

Conclusion

In all we examined 4 dates. the death and birth dates of JFK, June 4, 1963 and 11/11/10

  • Every single date in question was coded by Tzolkin number sets 2-17, 17-2 and 6-13, 13-6 and Tzolkin date 222
  • The Themeplex Dates 2-17 and 17-2 showed up 4 times
  • The Themeplex Dates 6-13 and 13-6 showed up 3 times
  • Tzolkin Date 222 showed up 3 times
  • Tzolkin Date 217 showed up once

The Tzolkin contains 18 other numbers sets and 258 other Tzolkin dates. Why did the Tzolkin cycle “favor” 2 out number 18 sets dates and 2 out of 260 to connect the events of JFK’s life? And then take into account the reverberations of the numbers 47, 11110, 11/11/10, 11/22/10 and all of the other synchronicities and it makes one marvel.

At this moment I can’t tell you what the odds are of all of this happening the way they did, but I can approximate that the odds are high enough against so many coincidences that the only explanation is either an aberration or that that Tzolkin cycle code is the complete set of ordering principles giving place, position, momentum and timing to everything in the galaxy inclusive of every aspect of human life. The Aztecs described it very elegantly and succinctly as the Great and Venerable Mechanism of the Universe.

I know it takes more than one instance to validate a self existing pattern in nature, but experiencing this kind of synchronicity is an everyday experience for me so I have no question about what I’m working with. My quest to self-validate the Tzolkin cycle is complete. My quest is now to show the world that the Tzolkin is what I claim it to be and how we may all employ knowledge of it to better ourselves, our society and our planet.

Using the same dating method I have connected the 911 WTC event with the WTC bombing of 1993 and I have also connected the Texas University shooting of 2010 with the Texas University shooting of 1966. I will share the work on those events in another article.

On top of these kinds of examples I also have 3 ongoing studies that link key Tzolkin cycle dates with increases seismic, volcanic and solar activity.

Don’t miss out register your email w/ Emergent-Culture.com to receive links to new article postings. Your email is not shared and I post no more than once a day. My current posting rate being about 2 to 3 articles per week.

If anybody has anything to share on these subjects please let your comments be known. Like the anthropologist Margaret Mead said “For human evolution to continue, the conversation must deepen.”

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SUBTITLES IN ENGLISH, ESPAÑOL, PORTUGUÊS

Click upon the circle after the small square for captions

MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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