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Sunday, October 18, 2009

Oct. 18 - Is The U.S. using new experimental "Tactical High Energy Laser" weapons in Iraq?‏

Dear Friends,

http://www.youtube.com/watch?v=EIoDv5mtR6k

http://www.youtube.com/watch?v=_tcSmthdTqY

http://www.youtube.com/watch?v=syOWcnhlNXM


Love and Light.

David











Is The U.S. using new experimental "Tactical High Energy Laser" weapons in Iraq?

According to official Pentagon sources, military vehicles equipped with this laser device have been used in Afghanistan to explode mines. According to two reliable military information sites Defense Tech and Defense Industry Daily - at least three such vehicles are being used in Iraq as well and some people report having seen them.

Star Wars in Iraq report by Maurizio Torrealta and Sigfrido Ranucci.

A nightmarish US super weapon reportedly was employed by American ground forces during chaotic street fighting in Baghdad. The secret tank-mounted weapon was witnessed in all its frightening power by Majid al-Ghazali, a seasoned Iraqi infantryman who described the device and its gruesome effects as unlike anything he had ever encountered in his lengthy military service. The disturbing revelation is yet another piece of cinematic evidence brought back from postwar Iraq by intrepid filmmaker Patrick Dillon.

In the film, al-Ghazali, whose english is less than fluent, describes the weapon as reminiscent of a flame thrower, only immensely more powerful. It is unclear what principle the weapon is based on. Searching for a description, al-Ghazali said it appeared to be shooting concentrated lightning bolts rather than just ordinary flames. Drawing on his many years as a professional engineer, al-Ghazali speculates that radiation of some kind probably figures into the weapon's hideous capabilities. Like all men in Saddam's Iraq, al-Ghazali was compelled to serve in the Iraqi equivalent of the Army National Guard and fought in three wars over the past thirty-odd years. Via email, he told me he has seen virtually every type of conventional weapon employed in battle, and is well acquainted with their effects on people and machines, but nothing in his extensive combat experience prepared him for the shock of what he saw in Baghdad on April 12th.

On that date, al-Ghazali and his family sheltered in their house as a fierce street battle erupted in his neighborhood. In the midst of the fighting, he noticed that the Americans had called up an oddly configured tank. Then to his amazement the tank suddenly let loose a blinding stream of what seemed like fire and lightning, engulfing a large passenger bus and three automobiles. Within seconds the bus had become semi-molten, sagging "like a wet rag" as he put it. He said the bus rapidly melted under this withering blast, shrinking until it was a twisted blob about the dimensions of a VW bug. As if that were not bizarre enough, al-Ghazali explicitly describes seeing numerous human bodies shriveled to the size of newborn babies. By the time local street fighting ended that day, he estimates between 500 and 600 soldiers and civilians had been cooked alive as a result of the mysterious tank-mounted device.

In a city littered everywhere with burned-out civilian and military vehicles, US forces were abnormally scrupulous about immediately detailing bulldozers and shovel crews to the job of burying the grim wreckage. Nevertheless, telltale remnants remained as Dillon found when al-Ghazali later took him to the site. Dillon said they easily uncovered large puddles of resolidified metal and mounds of weird fibrous material that, al-Ghazali explained, were all that remained of the vehicles' tires. Dillon, who accumulated plenty of battlefield experience as a medic in Viet-Nam, and has since covered a number of wars from Somalia to Kosovo, told me that he has witnessed every kind of conventional ordnance that can be used on humans and vehicles. " I've seen a freaking smorgasbord of destruction in my life," he said, "flame-throwers, napalm, white phosphorous, thermite, you name it. I know of nothing short of an H-bomb that conceivably might cause a bus to instantly liquefy or that can flash broil a human body down to the size of an infant. God pity humanity if that thing is a preview of what's in store for the 21st century."

For Majid al-Ghazali, images of the terrifying weapon and its victims haunt his every day. In addition to his work as an engineer, he is also a highly accomplished classical violinist, occupying the first chair in the Baghdad Symphony. He is widely acknowledged as one of the preeminent violinists in the Middle East. Besides his family, one of his greatest joys is teaching at Baghdad's premier music conservatory. Unfortunately, the conservatory was utterly destroyed. Yet somehow, despite the war's horrors and its seemingly endless privations, he manages to maintain a remarkably hopeful outlook. He recently informed me that the Baghdad Symphony continues to exist and has been invited to perform in the United States in December.

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MUFON

How to Digitally Record/Video a UFO sighting:


Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:




Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.

MUFON.COM

ESOTERIC



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