Friday, January 22, 2010

Jan. 18 - Was the tragic Haiti earthquake of January 12, 2010 foretold by a crop picture in England nine months earlier?‏

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Be Well.


Was the tragic Haiti earthquake of January 12, 2010 foretold by a crop picture in England nine months earlier?

Contrary to what is often said in the mass media, for example by international newspapers or TV, crop pictures from southern England (and other locations in Europe) are paranormally real, not usually made by local fakers with rope and boards, and sometimes can predict the future. Two proven examples of future-prediction from 2009 include a series of ejections from our Sun during September or October, some of which coincided with large earthquakes in Sumatra or Samoa on September 29 or October 1 (see waylandsmithy3). Many other examples of future prediction in crop pictures from 1994 to 2008 have been discussed in a general review (see /WHAT DO MODERN CROP PICTURES MEAN).

A “mushroom” shaped crop picture appeared in southern England on June 24, 2009

Now at Rough Hill in southern England on June 24, 2009, there appeared a spectacular “mushroom” shaped crop picture, which also contained symbols for a “big explosion”, and time codes for “three or nine lunar months” (see roughhill2009). Early attempts to decode that crop picture discussed it in terms of a volcanic explosion, putative solar flares, or a lunar eclipse (see roughhill or roughhill).

Yet in light of the powerful Haiti earthquake on January 12, 2009 (see earthquakes), a more plausible explanation can now be suggested, simply by looking on Google Earth at where the earthquake occurred!

The region of our planet where that earthquake occurred has the approximate shape of a “mushroom” when viewed from space

Thus as shown in the comparative figure below, the general region of Haiti and other Caribbean islands on the surface of our planet has a distinct T-shaped appearance when viewed from space:

When compared with that crop picture from southern England on June 24, 2009, one could even say that the geography of Haiti and nearby islands has the overall shape of a “mushroom”. By that colourful analogy, its “stem” would lie near the equator off the coast of Peru, and while its “cap” would lie further north near Haiti, Puerto Rico and surrounding islands.

A “big explosion” within that “mushroom” crop picture matches where the epicentre of the Haiti earthquake was located along the surface of our planet

Next when we look more closely at the precise location of that earthquake in Haiti near Port-au-Prince, we can see that its epicentre coincides with the relative location of a “big explosion” in the “mushroom” crop picture, somewhere between its “cap” and its “stem”:

Time codes for “three or nine lunar months” in the “mushroom” crop picture match dates of a total solar eclipse in July 2009, or the Haiti earthquake in January 2010

Finally when we look at two sets of lunar symbols which were drawn there for either “three or nine lunar months”, we can see that there were three lunar months from the start of the last crop-circle season at Rutland’s Farm or Morgan’s Hill on April 25, 2009 (a new Moon), until a total solar eclipse on July 22, 2009 (another new Moon):

Likewise, there were nine lunar months from the start of the last crop-circle season on April 25, 2009 until the powerful Haiti earthquake on January 12, 2010, to an accuracy of three days (the new Moon was on January 15).

Other details of this interpretation

Various details within the “cap” of that “mushroom” seem to represent undersea contours of our planet as seen from space. For example, a large “curved finger” which was drawn upper left at Rough Hill seems to match a large undersea contour that extends northeast from central America towards Haiti. Another irregularly shaped “indentation” which was drawn upper right at Rough Hill seems to match a region which includes Haiti and part of the Bahama Islands. Likewise, six small circles in the lower left or right parts of that crop picture seem to match stars in Earth’s sky, close to the location of the July 2009 eclipse (see roughhill).

If they knew there was going to be a big earthquake, why didn’t they tell us in some other way?

Now if our crop artist friends knew nine months ago that a powerful earthquake was going to strike Haiti in January of 2010, causing great loss of life, why did they not simply land and tell us about it directly? Or why did they not go to 10 Downing Street or the White House, and tell Gordon Brown or Barack Obama that something bad was going to happen; but that we could avoid the worst of the trouble if we took proper precautions beforehand?

Although we cannot know the psychology of those crop artists for sure, several plausible scenarios come to mind. First, they are watching Earth from far off in space---that “mushroom” shape would only be drawn by space-faring aliens---and landing on Earth would be quite dangerous for them, given the hostile attitude of the British military (see youtube). Nevertheless, a few visitors from other worlds may have set foot covertly on British soil last summer (see

Secondly, their forms of communication seem quite different from ours, so that even if direct contact were soon to be made, the free exchange of ideas might remain difficult. Which artist on Earth, for example, would tell us about an upcoming earthquake in Haiti, by drawing the imaginative diagram of a “big explosion within a mushroom”, and then expect us to figure it all out?

Thirdly, the mass media of international newspapers and TV remain in stark denial that paranormally created crop pictures might really exist (see for example the amazing disinformation just published on Crop-Circles-The-Art-of-the-Hoax). How then are those crop artists meant to communicate with us, about possible dangers which they can see on Earth for humans in the near future? Perhaps they would create a spectacular spiral of light over Norway, or hover in a large pyramidal UFO over Moscow (see cropcircleresearch), having drawn crop pictures of those same two shapes years earlier?

To conclude, whatever you as a general reader may think about English crop pictures, media disinformation, or a possibility of predicting the future, we would argue (as experienced researchers) that the longer we wait as a species to consider and accept these new ideas, the worse it will get for us as a whole. They told us in 2002, “Much pain but still time”, and now in 2009 our time seems to be running out.

CMM Research

P.S. We would like to thank Steve Alexander for the field photograph used here.

P.S.S. Geographical symbols similar to those drawn in the “mushroom” were also drawn in the “dragonfly” crop picture of June 3, 2009, to tell us where a strong solar wind would impact on Earth sometime in the near future (see yatesbury). Thus far that predicted solar event has not yet occurred.

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How to Digitally Record/Video a UFO sighting:

Como registar digitalmente ou gravar um vídeo de um avistamento de um UFO:

Stabilize the camera on a tripod. If there is no tripod, then set it on top of a stable, flat surface. If that is not possible lean against a wall to stabilize your body and prevent the camera from filming in a shaky, unsteady manner.

Estabilize a camera com um tripé. Se não tiver um tripé, então coloque-a em cima de uma superfície estável. Se não for possível, então encoste-se a uma parede para estabilizar o corpo e evitar que a camera registe de maneira tremida e instável.

Provide visual reference points for comparison. This includes the horizon, treetops, lampposts, houses, and geographical landmarks (i.e., Horsetooth Reservoir, Mt. Adams, etc.) Provide this in the video whenever is appropriate and doesn’t detract from what your focus is, the UFO.

Forneça pontos visuais de referência para comparação. Isso inclui o horizonte, cimo das árvores, postes de iluminação, pontos de referência geográficos (como o Reservatório de Horsetooth, Mone Adams, etc) Forneça esses pontos no vídeo sempre que for apropriado e não se distraia do que é o seu foco, o UFO/a Nave.

Narrate your videotape. Provide details of the date, time, location, and direction (N,S,E,W) you are looking in. Provide your observations on the weather, including approximate temperature, windspeed, any visible cloud cover or noticeable weather anomalies or events. Narrate on the shape, size, color, movements, approximate altitude of the UFO, etc and what it appears to be doing. Also include any unusual physical, psychological or emotional sensations you might have. Narrate any visual reference points on camera so they correlate with what the viewer will see, and thereby will be better able to understand.

Faça a narração do vídeo. Forneça pormenores sobre a data, hora, local e direcção (Norte, Sul, Este, Oeste) que está a observar. Faça observações sobre as condições atmosféricas, incluindo a temperatura aproximada, velocidade do vento, quantidade de nuvens, anomalias ou acontecimentos meteorológicos evidentes. Descreva a forma, o tamanho, a cor, os movimentos, a altitude aproximada onde se encontra o UFO/nave, etc e o que aparenta estar a fazer. Inclua também quaisquer aspectos pouco habituais de sensações físicas, psicológicas ou emocionais que possa ter. Faça a narração de todos os pontos de referência visual que o espectador irá ver e que, deste modo, será capaz de compreender melhor.

Be persistent and consistent. Return to the scene to videotape and record at this same location. If you have been successful once, the UFO sightings may be occurring in this region regularly, perhaps for specific reasons unknown, and you may be successful again. You may also wish to return to the same location at a different time of day (daylight hours) for better orientation and reference. Film just a minute or two under “normal” circumstances for comparison. Write down what you remember immediately after. As soon as you are done recording the experience/event, immediately write down your impressions, memories, thoughts, emotions, etc. so it is on the record in writing. If there were other witnesses, have them independently record their own impressions, thoughts, etc. Include in this exercise any drawings, sketches, or diagrams. Make sure you date and sign your documentation.

Seja persistente e não contraditório. Volte ao local da cena e registe o mesmo local. Se foi bem sucedido uma vez, pode ser que nessa região ocorram avistamentos de UFOs/naves com regularidade, talvez por razões específicas desconhecidas, e talvez possa ser novamente bem sucedido. Pode também desejar voltar ao mesmo lugar a horas diferentes do dia (durante as horas de luz)para ter uma orientação e referência melhor. Filme apenas um ,inuto ou dois em circunstâncias “normais” para ter um termo de comparação. Escreva tudo o que viu imediatamente após o acontecimento. Logo após ter feito o registo da experiência/acontecimento, escreva imediatamente as impressões, memórias, pensamentos, emoções, etc para que fiquem registadas por escrito. Se houver outras testemunhas, peça-lhes para registar independentemente as suas próprias impressões, pensamentos, etc. Inclua quaisquer desenhos, esbolos, diagramas. Certifique-se que data e assina o seu documento/testemunho.

Always be prepared. Have a digital camera or better yet a video camera with you, charged and ready to go, at all times. Make sure you know how to use your camera (and your cell phone video/photo camera) quickly and properly. These events can occur suddenly, unexpectedly, and often quite randomly, so you will need to be prepared.

Esteja sempre preparado, Tenha sempre uma camera digital, melhor ainda, uma camera vídeo consigo, carregada e pronta a usar sempre que necessário. Certifique-se que sabe como lidar com a sua camera (ou com o seu celular/camera fotográfica) rápida e adequadamente. Esses acontecimentos podem acontecer súbita e inesperadamente e, por vezes, acidentalmente, por isso, necessita estar preparado.

Look up. Be prepared. Report. Share.

Olhe para cima, Esteja preparado, Relate, Partilhe.



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